Omnia ex Machina

I wanted the work to live inside a coherent object. The Apple II is the entry point, with a bright photographic room around a finished PBR model. The Hello World artwork, original identity and camera approach establish the machine before its screen becomes the route. The organising equation is Swiss composition, computing artifact and CRT material: a twelve-column grid and a measured typographic hierarchy operating through a physical screen.

Each destination has its own editorial object. Work opens magnetic-tape cases; Projects is a Grenadier directory with adhesive-label sheets; Blog reads as a punched-paper journal. Ruder Plakat names the routes, GT Pressura speaks in the reading and thesis voices, PP Watch classifies and Ioskeley reports factual values. Graphite, Warm Paper and Grenadier are states of the same machine. The glass, grain and luminous field continue across them, while the source logos and full-colour work remain themselves.

The engineering makes that continuity possible. A persistent React Three Fiber canvas renders through Three.js WebGPU and TSL. One heartbeat coordinates input, scroll, authored GSAP motion and the frame; sheet travel and route choreography share the same physical state. Screen geometry informs the camera and the interface rather than relying on a guessed overlay. Sanity supplies the editorial records, and Cloudflare runs the application. The result is both a working publication and a record of my practice across visual design, graphics and full-stack development.